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A solo singer, go-to collaborator and member of the Pistol Annies, Monroe is a star who's both arrived and rising: accepted by insiders without losing her veneer of outsider cool.

The gospel-punk band's self-titled debut couches its invective in feedback, guitar noise, bruising drum machines and Franklin James Fisher's guttural howls.

Listen to Sam Beam cover a deep Seventies Neil Young cut on the latest volume of his Archive Series.

"Throw Your Hands Up" is a rousing jock-jam designed to get the blood pumping. Over a dramatic bass line, high-register synths and a blitzkrieg of record-scratching, Freeway announces that he and Jake One are here to rock listeners in an old-school way.

A new compilation lets Latin Alternative artists (including Los Lobos, Ozomatli, Los Lonely Boys, La Marisoul, Juan Gabriel and more) transform and reimagine CCR's formidable catalog.

These are songs by and for feel-big dreamers, performed with a gift for weapons-grade ingratiation by a pair of born crowd-pleasers.

Those Darlins hooked up at the Southern Girls Rock 'n' Roll Camp, which bassist Kelley Darlin founded in 2003. Critic Robert Christgau is glad to see the band finally playing rock, as well.

Rooted in early-20th-century blues and jazz, "lipstickandchrome" is freshened up with modern sass.

On her latest album, the Nashville singer-songwriter tells compelling stories from the inside out.

A marvel of economy and concision, "Dead Oaks" sums up a relationship without wasting a breath.