Get ready for a trip down the Yellow Brick Road—this time, with a splash of early 2000s nostalgia. "The Wizard of Oz" is coming to the Forest Roberts Theatre from March 6-9, in a co-production by Superior Arts Youth Theater and the Wildcat Performing Arts Academy. We spoke with director Jackie Wiles about what makes this production stand out, from a cast of nearly 80 young performers to a unique Y2K aesthetic that blends the classic story with a turn-of-the-millennium twist.
While "The Wizard of Oz" is a timeless story, this production takes a fresh approach. “We’re going sepia tones instead of black and white for Kansas,” Wiles explained. “But once we hit Munchkinland and move into the Emerald City, we’re going full Y2K.”
Picture a metallic green Emerald City with inspiration drawn from boy bands, shiny colors, and even furry bucket hats for the Winkies. “I really wanted Dorothy to have red jelly shoes, but they’re a little too heavy to dance in,” Wiles laughed. Costume designers Suzanne and Amber have embraced the late-90s, early-2000s aesthetic, making this a nostalgic treat for millennial audience members while still keeping the magic alive for all ages.
One of the most rewarding aspects of directing the show, Wiles shared, is watching young actors grow into their roles. “We have 79 students, from kindergarten through 12th grade, and seeing them make discoveries on their own has been amazing,” she said. “Instead of me telling them exactly how to say a line or move, they’re figuring it out themselves—and I get to tell them, ‘Yes, keep that, that was great!’”
Though the show’s aesthetic leans into early 2000s culture, the music remains true to the classic Wizard of Oz score. Music Director Anna Morozov has worked closely with the cast to perfect intricate harmonies, including the chilling “green and gold” chorus that sets the tone at the beginning of the show.
Choreographer Don’Tae Mitchell, a student at NMU, has designed movement that enhances the show’s energy, with some Y2K-inspired moments sprinkled in. “The kids have a blast doing the choreography,” Wiles said. “Even though it’s not entirely 2000s-themed, there are little nods here and there that add to the fun.”
Listen to Kurt Hauswirth's interview with Jackie here:
Beyond putting on a visually and musically stunning production, Wiles hopes the experience builds confidence for young performers. “I want them to leave this show feeling empowered to make bold character choices in their next production,” she said. “And for those watching, I hope it sparks an interest in theater—whether it’s as a new passion, a hobby, or just a way to get involved.”
Performances run from March 6-9 at the Forest Roberts Theatre, with evening shows at 7 p.m. on Thursday, Friday, and Saturday. There will also be two matinees: a Theater for All performance on Saturday at 1 p.m., designed for audiences with sensory sensitivities, and a standard matinee on Sunday at 1 p.m.
For tickets and more information, visit nmu.universitytickets.com. To learn more about Superior Arts Youth Theater and how to get involved, visit saytheater.org.
